After waking up from a coma, Alice has no memory. As she learns the horrible truths about her past self, she must fight for redemption.

Over the objections of her father (Henry B. Wathall) Doris Maynard (Barbara Kent) elopes with family chauffeur Dan Simmons (Eddie Phillips). Simmons pawns her jewels, forges her father's name on a bank note and leaves Doris a note to go home and let her father support her. A year or two later, Doris meets and falls in love with and marries Donald Thorne (Monte Blue), a crusading district attorney. Her father advises her to let the past remain buried and unrevealed. A campaign for re-election is on and Thorne has the machine organization in despair. Denman (Dewey Robinson), the machine head, is desperate and gets hold of Manners (William V. Mong), a former butler in Thorne's home who had been fired by Doris for petty theft. Manners agrees to plant some manufactured evidence in Thorne's home to discredit him. Manners, with Thorne out of town and the servants off, has no problem entering the Thorne residence.

Gregory and Matilda put pressure on a weekend getaway to resolve all of their issues but as their toxicity intermixes with the folklore of the town, the couple's problems are not the only thing they find themselves trying to escape.

Beth Bradfield (Patty Duke) is a housewife with what appears to be a stable life in an American village. One day, her 24-year-old daughter Lori (Tracey Gold), who is married to Jesse Molina (Maurice Benard) and recently gave birth to his daughter Molly (Laura and Megan Jaime), unexpectedly collapses and is hospitalized. After several tests, she is diagnosed with leukemia. Her doctor (Erick Avari) reveals to Beth that Lori is in urgent need of a donor, though her rare blood type makes finding one a difficult task.

While staying at an inn in a colonial-recreation village for her anniversary, a young woman becomes possessed by her murderous ancestor through an antique mirror and compelled to murder her husband.

Mark Cousins invites film actors and directors to watch major scenes in their career to date, and to talk us through them.

Ten years ago, Kate Collins (Ashley Jones) was a different person. Literally. She was living in Chicago, working as a bartender, and going by her real name ‘Stephanie Wickers.’ That all changed when she witnessed the murder of her boss by a ruthless member of an up and coming crime syndicate named Alek Ravik (Al Sapienza). Knowing that Klebanov saw her, she faked her death, changed her name, and went into hiding in Philadelphia. When a crooked cop retires and young, eager Detective Miesen (Alain Chanoine) is chosen to head a new task force to tackle crime syndicates in Chicago, the unsolved murder case is reopened. Miesen believes that Kate/Stephanie is still alive and begins to look for her. Unfortunately, so does Alek.

Karen Miller has it all. The perfect marriage, the perfect husband, the perfect life. But when her husband disappears on a business trip and is presumed dead, Karen's perfect life falls apart. She begins to realize that her perfect husband was not all he seemed.

In 1951, the well-known Czech actress Jiřina Štěpničková receives a letter from Austria from director František Čáp, who has recently emigrated. He invites her to the West and promises her roles in theater and film. She decides to seize the opportunity and flee. Together with a small group of people and her young son Jirka, she entrusts herself to a smuggler and embarks on a risky journey across the border. But something goes wrong. They are caught. Everything had been planned in advance. The smuggler himself is a member of the StB. But that's only the beginning.

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